Friday, June 05, 2015

Alicia Vikander Makes a Case for Pockets on the Red Carpet

Alicia Vikander Makes a Case for Pockets on the Red Carpet:

Look at my pockets! Or don't, whatever. Photo: Rob Kim/Getty Images
Look at my pockets! Or don't, whatever. Photo: Rob Kim/Getty Images
Actress Alicia Vikander's red carpet style generally consists of two important elements: Louis Vuitton — she is the new face of the brand — and a perfectly unfazed yet slightly amused temperament. It's a magical combination.

Her appearance at the New York premiere of her film, "Testament Of Youth," on Tuesday night was no exception. It was chilly and wet evening, but Vikander ignored such trifling details, choosing instead an embroidered scoop-neck maxi dress. She hit the step-and-repeat with her hands in her pockets because, why not? It was almost as effortless as her casual low-bun, earring-less ears and lightly tanned skin. We are so used to seeing amped up, heavily accessorized young starlets in exaggerated poses and lots of makeup. But Vikander projects the ease of someone who's been in the industry for ages, with a few Oscars and ex-husbands under her belt.

Does that kind of confidence come with the dress? If so, we'd like to place an order, please.

That's so cute that you want to take my picture! Photo: Rob Kim/Getty Images
That's so cute that you want to take my picture! Photo: Rob Kim/Getty Images

News Brief: Britney Spears Unveils New Fragrance, Style.com Discloses E-commerce Plans

News Brief: Britney Spears Unveils New Fragrance, Style.com Discloses E-commerce Plans:

Britney Spears advertising her latest fragrance, Fantasy Britney Spears: Intimate Edition. Photo: Elizabeth Arden Inc.
Britney Spears advertising her latest fragrance, Fantasy Britney Spears: Intimate Edition. Photo: Elizabeth Arden Inc.
These are the stories making headlines in fashion this afternoon.

Britney Spears unveils new fragrance
Britney Spears announced the launch of her newest fragrance. Fantasy Britney Spears: Intimate Edition. The new fragrance will be available in July at Kohl's. {Fashionista inbox}

Blacks and Latinos in retail are paid less, study finds

According to a study by the NAACP and public policy organization Demos, blacks and Latinos who work in retail are, on average, paid less and are less likely to be promoted than their white counterparts. They are also less likely to be hired full-time and occupy managerial positions. The authors of the study propose raising the federal minimum wage to $15 per hour to help reduce the racial wage gap. {AP}  

Style.com will not become a full-fledged retailer

This fall, Style.com will relaunch as an e-commerce "marketplace" under the Condé Nast umbrella. Shoppers will be able to check out on the site, but brands will provide product information and fulfill orders, of which Style.com will receive a cut.  {WWD}

Melissa McCarthy reveals mixed print look from her line

Melissa McCarthy gave a sneak peek of her forthcoming plus-size line via InStyle's Instagram. The collection, called "Melissa McCarthy Seven7," will hit stores as well as on her own e-commerce site in August. {Instagram}

Proenza Schouler signs fragrance deal
Proenza Schouler announced that it has signed a licensing agreement to produce its first line of fragrance with L'Oreal, joining a portfolio that includes Giorgio Armani, Yves Saint Laurent and Viktor & Rolf. {Fashionista}

Aeffe Gives Jeremy Scott's Own Label a Boost

Aeffe Gives Jeremy Scott's Own Label a Boost:

Gigi Hadid modeling a look from Jeremy Scott at New York Fashion Week in February. Photo: Imaxtree
Gigi Hadid modeling a look from Jeremy Scott at New York Fashion Week in February. Photo: Imaxtree
Since designer Jeremy Scott took the creative lead at Moschino in October 2013, the Italian brand has enjoyed quite the revival, both in publicity and in sales. Moschino is now the fastest-growing brand in parent company Aeffe's portfolio (which also includes Alberta Ferretti, Philosophy di Alberta Ferretti and Pollini), making up 65 percent of total sales in 2014. And now Moschino is expanding into menswear, showcasing its first men's collection last month for spring 2015.

So, it's no surprise that Aeffe is pouring even more money into Scott. On Wednesday, the company signed a multi-year licensing agreement for the production and worldwide distribution of Scott's namesake women's ready-to-wear label, which will allow the Jeremy Scott brand to (hopefully) grow internationally and expand its retail and wholesale networks. We're thinking that new partnership, paired with Scott's already solid following among celebrities and scenester-types, will only help the designer's influence (and sales) continue on the upward track.

Joseph Altuzarra and Tabitha Simmons Advise Young Designers to Repeat Themselves

Joseph Altuzarra and Tabitha Simmons Advise Young Designers to Repeat Themselves:

Prabal Gurung, Joseph Altuzarra, Tabitha Simmons and Dao-Yi Chow. Photo: J.Crew
Prabal Gurung, Joseph Altuzarra, Tabitha Simmons and Dao-Yi Chow. Photo: J.Crew
With its friendly vibe, warm lighting and bursts of bright color, a J.Crew store isn't a bad place to hold a party, particularly on a drizzly day — which is exactly what the retailer did earlier this week to toast the 2014 winners of the CFDA/Vogue Fashion Fund. The designers celebrated included Paul Andrew, Ryan Roche and Eva Zuckerman of Eva Fehren, all of whom produced collaborations with J.Crew in the wake of their wins.

For the occasion, J.Crew rounded up a host of past winners and runners-up — Prabal Gurung (2010), Joseph Altuzarra (2011), Tabitha Simmons (2012), Dao-Yi Chow and Maxwell Osborne of Public School (2013) and Paul Andrew (again, 2014) — to share their experiences from the fashion fund and give their best advice for up-and-coming designers. Perhaps the number one takeaway? That even the most imaginative creative is going to have to give equal attention to his or her business operations.

"I think you don't realize sometimes when you're going into starting a company and building your brand how much of it is going to be the business," Altuzarra said. "I had come from Givenchy, which is pure creation... There [was] not a lot of time spent on merchandising plans or thinking about sales. So actually going into starting your own business and thinking about how you can grow something and how you can fulfill both the expectations of the retailers and still stay exciting for the runway, you sort of become this left brain/right brain person pretty quickly."

Simmons, too, realized while moving through the Fashion Fund that she needed to know her business inside and out, because the judges asked just as many probing questions about her finances and operations as they did about the design of her shoes. She's made some real changes on that front since her brand's inception, too, having started off selling beautiful but extremely expensive shoes and later learning that she needed to figure out a way to produce at a more accessible price point.

For younger designers, Simmons has the following advice, once given to her by Domenico Dolce and Stefano Gabbana: don't be afraid to repeat yourself. While editors are always looking for what's new and fresh, designers actually need to keep producing similar designs season after season in order to establish their point of view.

"I completely agree with that," said Altuzarra. "We, from an editorial perspective, are looking at a show or a collection like. 'Oh, I did a slit skirt, so I'm not going to do one next season.' But the more you repeat it and the more you do it, the more people will, I think, associate your brand with that thing. And that is how we built the brand."

And if you should happen to land yourself in front of the CVFF judges, Gurung has some sage advice for making the experience a little less daunting: print out the judges' headshots. Then tape them to your wall so you have to look at them every day.

"It's so nerve-wracking, and when I went there I wanted to be familiar with their faces," he explained with a laugh. "I did that every morning. Literally."

As it turns out, the Public School guys actually heeded his advice.

"We took Prabal's expertise, and we did the same thing with the judges," Chow and Osborne said. "We were kind of upset when we went in for the judging competition, for the first meeting, that they weren't sitting where we had the pictures."

Tanya Taylor to Launch E-Commerce in August

Tanya Taylor to Launch E-Commerce in August:

A look from Tanya Taylor resort 2016. Photo: Tanya Taylor
A look from Tanya Taylor resort 2016. Photo: Tanya Taylor
Tanya Taylor saw her sales triple for spring 2015 — with new retailers like Bergdorf Goodman, Nordstrom and more Saks Fifth Avenue locations on board — providing more exposure than ever before for her three year old ready-to-wear brand that counts Michelle Obama and Lena Dunham as fans. In mid-August, Taylor will add another critical retail point to her list by launching her own e-commerce business.

"I think we’re responding to what’s working and building on it," said Taylor at the preview for her second resort collection on Wednesday, explaining that she is eager for more selling data. "I’m more than willing to design and understand what people are responding to. You want to know what someone's looking at but not buying." The site will be designed by New York agency Wondersauce, which recently created the e-commerce platform for newly launched swimwear label Bikyni.

Feedback from retailers on her spring collection informed the design of her resort offering, which features a range of knits (which make up 40 percent of her business at retail) and embroidered shirts, which she calls basics with a twist. "It's a button-up but it has detail and personality," she said. "It feels like you could wear it over something like a cool coat or buttoned up, more polished. It has that versatility."

Taylor also shed some light on why she thinks her knits perform so well, saying they're unlike anything else on the market right now. "They have this delicate feeling to them, almost like an old-school feeling," the designer explained. "Older knits had that detail. That's why my mom likes to wear them." The collection also features thicker alpaca sweaters made in Peru with a chintz finish produced by heat-pressed embroidery.

In addition to the colorful prints she is known for, Taylor wanted to provide more neutral options this season. "We needed neutrals that could go back to our prints, that could really tone everything down," she said. Instead of black and white, colors she already uses in her patterned dresses and knits, she felt drawn to olive and light pink. "They feel so soft together."

This isn't to say that she plays it completely safe with resort: Taylor used lace for the first time as an accent on slip dresses and channeled a bohemian aesthetic with long, flowing georgette dresses. She also designed an embroidered peony accented with long tassels that appears on several pieces. "This nutty embroidery — it's maybe my favorite thing ever," she said. "There's something about how color is streaming in the tassels that reminded me of how when a cloud settles, there is that dripping vibe."

Despite the funkier elements, Taylor said she wanted to focus on what her customer would consider an "essential" from the brand for the resort collection. "We’re never going to do something super-basic, but we can do things that are clean and still have texture," she said. "You have an opportunity between the collections to do something a little more real, a little more natural."

See Tanya Taylor's full resort 2016 collection in the gallery below.

Zara Discrimination Lawsuit Paints an Ugly Picture of Its Corporate Culture

Zara Discrimination Lawsuit Paints an Ugly Picture of Its Corporate Culture:

A Zara shopper in Madrid. Photo: Dennis Doyle/Getty Images
A Zara shopper in Madrid. Photo: Dennis Doyle/Getty Images
Zara USA and several current and former Zara executives have been slapped with a discriminatory lawsuit seeking damages upwards of $40 million. The lawsuit, filed Wednesday in New York by Ian Jack Miller, Zara's former general counsel in the U.S., alleges that several of the Spanish fast fashion retailer's senior executives discriminated against him for being Jewish, American and gay.

The lawsuit points to Zara's public blunders in those areas — citing a handbag imprinted with Swastikas, a children's t-shirt resembling a concentration camp uniform and necklaces made of figurines in blackface, all of which Zara immediately pulled from its shelves — and alleges the company's internal culture is even worse, favoring employees who are "straight, Spanish and Christian."

During his time at the company from Jan. 2008 to Mar. 2015, Miller complains that he received homophobic emails, that anti-Semitic remarks were made in his presence and that Spanish employees were assured of more job security and received greater pay raises despite Miller's strong performance reviews and growing company profitability. In March of this year, Miller decided to seek legal counsel, which sent a letter to the company outlining Miller's claims of unlawful discrimination and the desire to come to an "amicable resolution." Miller was allegedly dismissed the next day, and on account of his dismissal — as well as Zara's close ties with other retail and real estate companies — has struggled to find work since.

A spokesperson for Zara USA issued a statement to Fashionista saying that Zara is a "diverse and multicultural company" with a "strong social commitment based on fairness, respect and equality for all." The spokesperson added that the allegations are "shocking" and that the company "will respond strongly and vigorously to these allegations in the Court."

The lawsuits claims are specific, lewd and no doubt embarrassing to many current and former employees. The lawsuit describes a corporate culture where visits to prostitutes are a normal part of business trips and a heterosexual lifestyle is endorsed. Miller says that former Zara USA CEO Moises Costas Rodriguez bragged about the size of his penis and having sexual relations with five female subordinates, including a director of human resources, and that he sent an email to Miller highlighting language that marriage is an institution "sanctified between a man and a woman." The suit claims that another Zara executive, Francesc Fernandez Claramunt, sent Miller's partner, Michael Mayberry, a pornographic image of an erect and tattooed penis and that Fernandez had been trying to persuade Miller to get such a tattoo.

But Miller appears to have felt most discriminated on account of his Jewishness. According to the filing, it wasn't until he had been working at the company for more than five years that senior executives learned of his religious identity. Before that time and after, the suit claims that senior executives had frequently derided the Jewish landlords and real estate developers they worked with, calling them "los judios" (Spanish for "the Jews") and complaining how difficult it was to work with "those people." Claramunt allegedly told Miller's Jewish paralegal that of course he was treated poorly by certain students at his university because "Jews are outsiders." After learning that Miller was Jewish —a disclosure that occurred around the same time that Miller dispensed some (apparently unpopular) advice on complying to New York labor laws — Zara executives began excluding him from important email chains and meetings, and cut his annual pay raises from upwards of 15 percent to just 3 percent.

What appears to be the most potentially damning to the company is the evidence of racial discrimination Miller has accumulated, not directed towards himself, but the Obamas. The filing claims there are "emails portraying Michelle Obama serving fried chicken and emails depicting Barack Obama in a Ku Klux Klan hood, with a Confederate flag, on a Cream of Wheat box, on an Aunt Jemima box and shining shoes." One need only look at the reaction to deposed Sony Pictures Entertainment chief Amy Pascal's racially-charged jokes about President Obama to see how such emails could damage Zara's public image in the U.S. and elsewhere.

News Brief: Sarah Jessica Parker Designs Bridal Shoes, MAC Announces Collaboration with Ellie Goulding

News Brief: Sarah Jessica Parker Designs Bridal Shoes, MAC Announces Collaboration with Ellie Goulding:

Photo: MAC Cosmetics
Photo: MAC Cosmetics
These are the stories making headlines in fashion this afternoon.

Sarah Jessica Parker designs bridal shoes

Following the announcement that Sarah Jessica Parker's shoe line will be sold in Bloomingdale's, she has more exciting news — just in time for wedding season. Parker talked with Martha Stewart Weddings about her own nuptials, shared tips with brides-to-be and revealed that her popular SJP collection will also include bridal shoes. {People}

MAC Cosmetics collaborates with Ellie Goulding

MAC Cosmetics announced on Wednesday that it will be collaborating with British songstress Ellie Goulding on a collection that is slated to hit stores in December of this year. The pop starlet is no stranger to collaborations, at least when it comes to the music world: she's recently been featured on tracks by Calvin Harris and Major Lazer, as well as appeared in Taylor Swift's "Bad Blood" video. {Fashionista inbox}

Global Brands Group partners with Jones New York

Authentic Brands Group has inked a deal with Global Brands Group Holding Ltd. to design and produce apparel and footwear for Jones New York. Authentic Brands Group will manage marketing and retailing while Global Brands Group Holding Ltd. will take over design and production. The Jones New York brand grosses nearly $1 billion yearly in retail volume. {WWD}

Too Faced sold to investment firm

Private equity firm General Atlantic bought cosmetics brand Too Faced for an estimated $500 million. Jerrod Blandino and Jeremy Johnson founded Too Faced, which is based in Irvine, California, in 1998, and the brand purportedly banks $150 million in yearly revenues. {WWD}

Kate Spade launches new accessories line

Kate Spade is returning to the world of fashion. Her new accessories brand, which has yet to be named, will focus initially on footwear and handbags and is slated to debut during the holiday season. Spade left her eponymous brand Kate Spade New York in 2006. {Fashionista}

Victoria Beckham Wants to Do a Mass Market Collaboration

Victoria Beckham Wants to Do a Mass Market Collaboration:

Photo: BFA
Photo: BFA
At the season finale of her 92Y "Fashion Icons" talk series on Wednesday evening, Fern Mallis admitted that not all of her industry colleagues were on board with calling her guest Victoria Beckham, who never attended design school, an "icon." But there's no arguing that Beckham has made it in fashion, admired not only for her personal style but also, far more importantly, as a designer. Her seven-year-old ready-to-wear line is now stocked by the most prestigious retailers in New York — Barneys and Bergdorf Goodman among them — and her recent collections have received acclaim from top critics and earned her two British Fashion Awards for Designer Brand of the Year, one in 2011 and one in 2014.

What Beckham lacks in technical training, she's more than made up for in on-the-job experience. From her days as a member of the Spice Girls, wearing PVC catsuits and platform sneakers that "were bloody awful," to her brief stint as a model (for Roberto Cavalli and Dolce & Gabbana) and her first design partnerships (for Rock and Republic and Linda Farrow), she learned enough to branch out on her own, which is what she'd always dreamed of doing. Ultimately it was the revenue from a successful Coty fragrance, launched in 2006, that enabled her to start her own label.

In 2008, her fashion career took a turn for the serious. Not only did she pose in her first luxury ad campaign for Marc Jacobs — which she enjoyed mostly because it proved that both she and Jacobs don't take themselves too seriously — she presented her first eponymous collection at New York Fashion Week with 10 signature dresses. "It was how I was dressing at the time — lots of fitted dresses... a few corset dresses," she explained, saying the range was meant to be very true to herself. "I did presentations at the Waldorf hotel and had groups of people come in, both press and buyers. I had two models — no stylists. The girls would walk towards where we were sitting and I would just start talking. I didn’t want to prove anything to anybody other than myself."

Eventually, she began hosting runway shows — despite being very afraid to do so — which are now some of the hardest tickets to get during New York Fashion Week. "I read every single review," Beckham said of her shows. "As much as people say 'I don't care what people say,' I think they're liars."

Beckham admits that the pace of the industry can be nerve-wracking, but that doesn't keep her from having a hand in every single one of her business operations: she visits the design studio each day, spends time in the London store to learn about her customers and helped develop the packaging for her e-commerce store. At the moment, her retail business is bigger than e-comm, and she's putting a focus on its expansion in 2015. Asia is her fastest-growing market, so a Hong Kong store will come next, followed by one in New York.

Simon Fuller, David and Victoria Beckham are the sole partners in her brand, but the designer said her company has grown to about 150 employees — and she still has a hand in bringing on senior hires. As for what's next, she hopes to soon branch out into children's wear, menswear and a full line of footwear, as well as to partner with a mass-market retailer to bring her designs to a wider audience. "I would like to reach more people and to offer clothes to people who can't or don't want to pay designer prices," she said. "I really want to make women feel great and feel empowered, even if they can't pay — I still want to reach that customer." Beckham admits that she's already been approached for collaborations, but the timing hasn't been quite right.

To this day, one of the most exciting things for Beckham is to see a stranger wearing her clothing or carrying her handbag, and she will often approach them and tell them how much she appreciates it. "That person has chosen to invest in me as a designer as opposed to somebody else," she explains. "You can see that women feel good and feel sexy in the dresses — that's good to hear."

As the momentum continues to build for the 41-year-old's business, she shows no signs of slowing down — although she does wish she could sit back and enjoy the moment more often — and she still has unfulfilled goals on her proverbial bucket list, including winning a CFDA International Award. It's a shame that Beckham (thanks to her aversion to smiling in public) has earned a reputation for being serious and aloof, because she had the audience in stitches throughout her entire interview. Aside from being low-key hilarious, she made it clear that her ambition, focus and true love for her work (and for her family) should be what shape her persona, both in the public eye and behind-the-scenes at her label. "Creative visualization, being positive, working hard — those are things I try to do every single day," she said. "I really think that you should dream big, and that's what I'll continue to do."

Zac Posen Got Inspiration for Resort from Instagram

Zac Posen Got Inspiration for Resort from Instagram:

2016 resort collections looks from ZAC Zac Posen, left, and Zac Posen, right. Photos: Zac Posen
2016 resort collections looks from ZAC Zac Posen, left, and Zac Posen, right. Photos: Zac Posen
Despite being called "New York's busiest designer" — he has his own ready-to-weardiffusion and bridal lines, is the creative director of Brooks Brothers womenswear, is working to redesign the Delta Air Lines uniforms and often appears as a judge on "Project Runway" — Zac Posen still has time to be Instagram obsessed. He moderates his own comments, always removing offensive words about race or body weight, and responds to technical questions from his followers about fabrication and construction. As it turns out, he also uses it to guide the direction of his designs, specifically for the ZAC Zac Posen line.

"It's complete, immediate consumer feedback and dialogue," said Posen at his showroom on Wednesday, after presenting his brand's resort collections.  "It has encouraged me to add more separates, suiting and daywear, just from their excitement when I do post that. When I post a large gown, that has an immediate transporting romance to it — we sell off Instagram, even — but to see the interest in the more casual line ZZP gives huge encouragement to continue expand and grow it." Posen says the line's handbags, all under $600, have doubled in growth in the last year.

Posen also looked to Instagram for ZZP's design inspiration, specifically his own food posts (see #CookingWithZac). For example, porcelain china and speckled quail eggshells are digitized into jacquard and neoprene, respectively.

The ready-to-wear resort collection forgoes conceptual inspiration for versatility. Posen continues to deliver the tailored daywear he's known for — trousers, dresses and coats in wool, charmeuse and cotton — with an emphasis on separates. There are also, of course, glamorous evening gowns in simple, vibrant satin, floor swishing embroidery and floral-printed tulle. One voluminous navy skirt is paired with a high-neck satin crop top that exposes the side of the hips. It's a potentially unflattering part of the women's body to expose, but therein lies the logic of evening separates: you can choose your own adventure.

See both resort collections below.

ZAC Zac Posen

Zac Posen

Olympia Le-Tan Raises $1.1 Million From French Investment Group

Olympia Le-Tan Raises $1.1 Million From French Investment Group:

Michelle Williams carrying an Olympia Le-Tan clutch. Photo: Dimitrios Kambouris/Getty Images
Michelle Williams carrying an Olympia Le-Tan clutch. Photo: Dimitrios Kambouris/Getty Images
Olympia Le-Tan, the French women's ready-to-wear and accessories label best known for its $1,500 clutches shaped like book covers, announced on Thursday that it has received a €1 million (about $1.1 million) investment from French private investment firm Audacia.

A spokesperson for Audacia declined to say how much of a stake it had taken in Olympia Le-Tan, but did add that the company generated €3 million (about $3.4 million) in sales last year, 90 percent from international clients. The funds will be used to expand the label's commercial and creative operations.

Olympia Le-Tan began as an accessories label, started in 2009 by Le -Tan herself and Grégory Bernard. In 2012, the company expanded into ready-to-wear, producing two collections per year. It currently has a store at Le Palais Royal in Paris and has more than 100 points of sale worldwide — a number, we imagine, that will soon climb.

J.Crew Fumbled on Its Sweaters This Spring, Contributing to an Overall Drop in Sales

J.Crew Fumbled on Its Sweaters This Spring, Contributing to an Overall Drop in Sales:

A model at J.Crew's spring 2015 presentation in September. Photo: Fernanda Calfat/Getty Images
A model at J.Crew's spring 2015 presentation in September. Photo: Fernanda Calfat/Getty Images
After seeing its typically loyal customers turning away at the tail end of 2014, J.Crew hasn't yet found relief from its dropping sales. In the three months leading up to May 2, the first quarter of the fiscal year, sales in stores that have been around a full year fell 10 percent. Adding back in revenue from new stores, J.Crew brought in $509.7 million — 5 percent less than it took in for the same period in 2013.

Taking analysts' questions on a Thursday afternoon webcast, CEO Mickey Drexler copped to the fact that these results are disappointing — but noted that the women's clothing business has been hard overall for retailers, many of which are leaning on "rampant discounting" (his words) to drum up sales. He says he took a research trip on Wednesday, checking out J.Crew's competitors, and didn't find the scene looking very good.

"In preparation for getting my head right for this call, I shopped all the competition, and I didn't exactly see a lot of stores where I'd run and buy a lot of women's clothes, frankly," Drexler said.

But this isn't to make excuses. There were things J.Crew definitely could have done better, Drexler says. Whereas the brand struggled with the fit of its clothing last quarter, spring brought about some buying mistakes in its typically lucrative sweater department.

"We didn't have the right cardigan. We had a cardigan, but it didn't fit that well, so that was one problem we had," Drexler says. "The Tippi we didn't buy enough of, and we got too much Tilly, which is a relative of the Tippi."

And stores sold out of the "perfect crew" style too early. While listening to a discussion of Tippis and Tillys is a little funny, they represent a serious side of J.Crew's business: Drexler says a third of sales come from a mix of knits and sweaters.

You might be wondering about Madewell. Things were typically dandy, with sales up 33 percent to $61.9 million. Not bad! Here's hoping J.Crew can pull itself together in the near future.

Sky Ferreira Lands Jimmy Choo Fragrance Campaign, Karlie Kloss Stars in Versace's Fall Ads

Sky Ferreira Lands Jimmy Choo Fragrance Campaign, Karlie Kloss Stars in Versace's Fall Ads:

 Lexi Boling, Karlie Kloss and Caroline Trentini in Versace's Fall/Winter 2015. Photo: Versace. 
 Lexi Boling, Karlie Kloss and Caroline Trentini in Versace's Fall/Winter 2015. Photo: Versace. 
These are the stories making headlines in fashion this afternoon.

Sky Ferreira is the face of new Jimmy Choo fragrance

Singer, model and actress Sky Ferreira is the new face of Jimmy Choo's new women's fragrance Illicit, which will debut in the U.S. this fall. The brand unveiled the upcoming scent on Wednesday night in London. {Fashionista inbox}

Karlie Kloss, Caroline Trentini star in Versace campaign

Karlie Kloss, Caroline Trentini and Lexi Boling star in Versace's fall 2015 women's campaign. The three models were shot by Mert Alas and Marcus Piggot in front of a scaffolding, referencing the backdrop of the Italian label's fall/winter 2015 show. {Fashionista inbox}

Mansur Gavriel to expand into clothing and shoes

Designers Rachel Mansur and Floriana Gavriel of Mansur Gavriel accepted the Swarovski Award for Accessory Design at Monday's CFDA Awards wearing shoes and dresses of their own design. They plan to expand their brand into these categories in the future, but the exact timeline is still unknown. {Style.com}

Steven Meisel rumored to leave Vogue Italia

For the first time since 1988, a photographer other than Steven Meisel shot the latest Vogue Italia cover. The June "China Issue" cover was shot by Mario Sorrenti, Steven Klein, Craig McDean and Mert Alas and Marcus Piggot. It remains to be seen if Meisel will shoot next month's cover or if this heralds his departure from the magazine. {Style.com}

Fern Mallis, Victoria Beckham talk shop

Fern Mallis sat down with Victoria Beckman for the season finale of the 92Y "Fashion Icons" series on Wednesday evening. Mallis and Beckham discussed the rise of Beckham's career in fashion and the development of her brand. Beckham reveals that she would like to partner with a mass-market retailer and even admits to having been approached for such a collaboration. {Fashionista}

Homepage photo: Jimmy Choo. 

Gucci Keeps Up Its Granny-Chic Streak for Resort

Gucci Keeps Up Its Granny-Chic Streak for Resort:

Looks from Gucci's 2016 resort collection. Photos: Gucci
Looks from Gucci's 2016 resort collection. Photos: Gucci
For his first resort collection as creative director of Gucci, designer Alessandro Michele followed the example of fashion houses like Chanel, Dior and Louis Vuitton and held a destination runway show, bringing his wares stateside for the first time. At a Chelsea gallery space in New York — complete with exposed brick walls, floors lined with antique-looking Turkish rugs and garage doors that opened to allow models to parade across 22nd street (which Gucci shut down for the occasion) — Michele presented his second womenswear collection for the Italian label, and it's clear that he's settling into his new, eccentric aesthetic for the brand quite nicely.

The show featured 62 looks for both men and women — although many were androgynous enough to work well for either gender — and much like Gucci's fall 2015 collection, there was a strong vintage vibe. There were upholstery-like and quilted fabrics that looked plush and expensive, as well as pieces with traditional lace, crafty crochet embellishments and quirky embroideries that wouldn't look out of place in your (ultra chic) grandmother's closet. The color palette evoked the '60s and '70s, but the addition of funky mixed prints — chevron stripes, florals, landscapes and a psychedelic paisley — kept it from looking dated. There was plenty of play with texture, too, from fur accents on cuffs and ruffled collars to disco-ready lurex and completely sheer skirts, the latter made a bit more modest by layering them over very high-waisted underwear.

Most of the looks were styled with old-fashioned headscarves and bookish, oversized eyeglasses. While the clothing Michele presented on Thursday won't be available in stores for six more months, we're willing to bet that fans and Instagram lookers-on will be experimenting with these old-school accessories much sooner than that.

See the full Gucci resort 2016 collection in the gallery below.

Tony Awards Organizers Are Making Sure the Red Carpet Is Fashionable This Year

Tony Awards Organizers Are Making Sure the Red Carpet Is Fashionable This Year:

The 2014 Tony Awards red carpet. Photo: Mike Coppola/Getty Images
The 2014 Tony Awards red carpet. Photo: Mike Coppola/Getty Images
The red carpet at the 69th Annual Tony Awards on Sunday will be unlike any the Broadway awards event has seen before. For the very first time, every nominee and presenter, a group of at about 130 people, has been styled with the help of public relations agency KCD and editors at magazines including Vogue, Teen Vogue and Vanity Fair. The red carpet space has been designed by Raul Avila, the same event company which designs the interiors and red carpet of the Costume Institute Gala each year.

Page Six first reported in March that American Theatre Wing chair and costume designer William Ivey Long had asked Anna Wintour to help make the red carpet "more chic," after she commented at a Central Saint Martins panel in June that the fashion at the 2014 awards was a "disaster." The show, which airs on CBS, is one of the least watched awards shows though it commonly features Hollywood stars. In 2014, 7 million viewers watched the Tony Awards, compared to the 15.6 million who tuned into the Emmys.

But the efforts being made to revamp the Tonys red carpet involve much more than Wintour's involvement. Long said that the process began several years ago with the help of a longtime friend and client. "My particular fairy godmother in the project was Joan Rivers," said Long, who designed the late comedian's performance looks for the last decade. "I felt very comfortable in saying, 'What do you think if we upped the red carpet at the Tony Awards?'"

William Ivey Long announcing the 2015 nominees in April. Photo: Jemal Countess/Getty Images
William Ivey Long announcing the 2015 nominees in April. Photo: Jemal Countess/Getty Images
Rivers became immediately involved. "She gave me this ten commandments list," said Long. "They were questions all about discovering what you expect from your red carpet. How is your red carpet different from others? Do you have a strategic plan with the building in mind? You can imagine she was on the money and very organized — a business woman to the nth degree."

Armed with Rivers' advice, Long and a committee from the Tony Award Productions — a joint venture of The Broadway League, a national trade association, and the American Theatre Wing, a not-for-profit service organization — met to discuss how the red carpet could be restructured for more media attention and buzz. What resulted was a five-year plan that began in 2014 with mostly red carpet infrastructure changes, which Long calls "dipp[ing] our toe into the water." For Sunday's show, the Tony Awards has "committed more energy and support to a larger, more specific red carpet," said Long. "We’ve amortized our commitment over five years."

A successful red carpet requires memorable fashion that inspires best dressed lists. In past years, many show attendees did not borrow looks from fashion designers, as is common practice at Hollywood awards shows. Long would design gowns for a couple of actresses he worked with each year and often helped actors buy tuxedos. As for the rest of the nominees, they were left to their own devices. "It's catch as catch can, my dear," said Long.

So Long decided to reach out to Wintour for help, and Vogue began contacting several nominees and presenters to arrange fittings. Long went to the magazine offices himself "to see what that level of support was," accompanying co-host Kristin Chenoweth at her meeting with designer Zac Posen. "He fit her in just gorgeous things and she has her own proportions, she’s unique, and Zac knew just what to do," said Long. "I was very impressed." Vogue declined to comment for this article.

It's not just Vogue that's involved. Teen Vogue confirmed that Style Features Director Andrew Bevan has styled two young actresses from "Fun Home," Emily Skeggs and Sydney Lucas. Long says Vanity Fair started contacting actors the day the nominations were announced in April, without prompting from Long, and is working with at least one nominated actress, Judy Kuhn — also from "Fun Home" —  as well as her husband and daughter. Vanity Fair did not immediately respond to a request for comment.

As for those presenters and nominees who didn't get a call from Condé Nast, Tony Awards partner KCD is coordinating their looks. "KCD are professional matchmakers, like Dolly Levi," said Long (referencing the musical "Hello Dolly," for all you theater neophytes). Long accompanied nominated actress Victoria Clarke of "Gigi" to her fitting at KCD. "I was very tickled to see all the choices that Victoria had to choose from. It was just beautiful support." Long says KCD is making sure no one falls through the cracks.

"Every nominee I’ve been talking to — we’ve been having several events — they’re just all feeling very well taken care of," he said. "Everyone who is being supported just feels pampered, they feel like royalty. And I tell them, 'Well, you are!'"

Actor James Carpinello in his "Rock of Ages" costume in 2009. Photo: Bryan Bedder/Getty Images Actor James Carpinello in his "Rock of Ages" costume in 2009. Photo: Bryan Bedder/Getty Images
Getting the nominees to look good on Sunday is one thing, but making sure the photographs are attractive to the press is another. "Last year we were still following the ancien régime of step-and-repeat," said Long. "The step-and-repeat is the old way that makes you dizzy when you look at all those logos jumping at you in a psychedelic vibrating pattern, it always gave me a headache." Instead of a printed background, attendees will pose in front of boxwood hedges. "There will be a few logos but they will be presented in an exquisite way, if I do say so myself."

Throughout the red carpet revamp process, Long has been eager to let Broadway find its own red carpet identity, whatever that might be. "How is Broadway glamour unique and different from Hollywood glamour?" he said. "That is one of the missions. I hope we will discover it." Long says Wintour understands that the event needs to set its own tone. "She knows the difference between the Met Gala and Hollywood and Broadway, so we're very excited that our own unique sense of self will come out." Rivers emphasized the same point to Long during their conversations about the Tonys. "She said, 'Find out what is right for Broadway; remember you’re unique,'" he said.

Long wants the Tony Awards to be perceived universally as a momentous event because it represents the combination of five major brands: Broadway, Fashion Avenue, Radio City Music Hall, CBS and New York City. "When that all comes together, that’s like Benjamin Franklin with that key flying on the kite," said Long. "There's going be some electricity. So we are very excited this year to see how this combustion happens."

The 69th annual Tony Awards will hosted by CBS on Sunday, June 7, live from Radio City Music Hall at 8 p.m. ET.

Monday, June 01, 2015

Emma Stone is Pretty and Pale in Pucci

Emma Stone is Pretty and Pale in Pucci:

Emma Stone at a screening of her new film, "Aloha." Photo: Frederick M. Brown/Getty Images
Emma Stone at a screening of her new film, "Aloha." Photo: Frederick M. Brown/Getty Images
Emma Stone's skin is so fair, she almost doesn't look human — it's more comparable to that of a porcelain doll. Her paleness is actually one of my favorite things about her because it emphasizes her huge eyes, wide smile and often colorful red-carpet looks.

As such, it was a surprise and a delight to see her dressed in a bright white Pucci dress on Wednesday in Los Angeles, where she attended the premiere of her new film "Aloha." The flapper-style frock is not much lighter than the actress' skin tone, but the shiny fringe and criss-crossing pattern keep it from washing her out. The pointy silver Christian Louboutin pumps and long, sleek white blazer perched effortlessly on her shoulders add modern touches to a dress that could veer on the costume-y side with the wrong accessories.

With her skin and outfit on the same page (at least color palette wise), her famously faux red hair takes center stage — almost as shiny and vibrant as her delightful personality.

Peter Copping Shows His 1st Resort Collection for Oscar de la Renta

Peter Copping Shows His 1st Resort Collection for Oscar de la Renta:

A red silk faille gown from Oscar de la Renta's resort 2016 collection. Photo: Oscar de la Renta
A red silk faille gown from Oscar de la Renta's resort 2016 collection. Photo: Oscar de la Renta
It was just a month ago that Peter Copping showed his first bridal range for Oscar de la Renta, but the resort collection he presented Thursday afternoon to press — heavy on dresses and gowns, with some daywear separates thrown into the mix — looked far from rushed.

In the tradition of the late designer, Copping's gowns were elaborately embroidered and appliquéd with florals and, in some instances, overlaid with lace. Standouts included a columnar white dress with flowered vines trailing from the neckline; a magenta and white off-the-shoulder dress with a fully paillette-embroidered bodice and floor-length skirt scattered with yellow flowers; a mink car coat, dyed teal and inset with black python; and a red, floor-length silk faille gown with a sheer, sequin-embroidered décolletage and cutout skirt (see above).

Copping continued to introduce shorter lengths and lingerie details, as well as some more adventurous silhouettes, including a black beaded cocktail dress with a navy cape back. Voluminous tiers of ruffles appeared on the skirts of several gowns, the most dramatic of which was the closing number, in black silk taffeta with jet embroidery and a billowing train. With each collection (this would be the third) Copping's confidence — and facility with the house's codes — seem to advance.

See the collection in full below.

Kendall and Kylie Jenner's Topshop Collaboration Is Here

Kendall and Kylie Jenner's Topshop Collaboration Is Here:

Photo: Topshop
Photo: Topshop
On Sunday night, Kim Kardashian made the earth-shattering announcement that she's pregnant with her second child; meanwhile, her younger half-siblings Kendall and Kylie Jenner had a big reveal of their own planned to start the week.

On Monday, the Jenner sisters unveiled their collaboration with Topshop, which was first teased back in January. While it's their debut collection for the British retailer, they've already tested the fashion design waters through a multi-season partnership with PacSun. The target demographic for their Topshop line seems to be the same: teens who gravitate towards festival-ready, California-inspired separates, like floral crop tops, denim cut-offs and airy maxi dresses. Prices seem to cater to a younger customer as well, beginning at around $52 and capping off at $150.

The Jenners' range consists of 15 pieces, and hits Topshop stores, Topshop.com and select Nordstrom locations on June 3. Click through the gallery below to check out their full offering — plus a few promo shots modeled by Kendall and Kylie themselves, naturally.

Diane Kruger, Mindy Kaling & More Provide Summer Dressing Inspiration at the Veuve Clicquot Polo Classic

Diane Kruger, Mindy Kaling & More Provide Summer Dressing Inspiration at the Veuve Clicquot Polo Classic:

Black Watch captain and polo player Nacho Figueras, his wife Delfina Blaquier, Diane Kruger and Joshua Jackson hang out before the match begins. Photo: Dimitrios Kambouris/Getty Images
Black Watch captain and polo player Nacho Figueras, his wife Delfina Blaquier, Diane Kruger and Joshua Jackson hang out before the match begins. Photo: Dimitrios Kambouris/Getty Images
"I wanted to feel like we're in 'Pretty Woman,'" said designer Christian Siriano at the eighth-annual Veuve Clicquot Polo Classic at Liberty State Park on Saturday, his first polo watching experience. "I love that people are such hardcore fans and I wanted to see why. It's fabulous and super chic."

Indeed, what could be more fabulous and chic than a champagne-fueled, celebrity-filled day party alongside a quick Polo match? Actresses like Diane Kruger, Freida Pinto and Mindy Kaling clinked glasses alongside models Joan Smalls and Soo Joo Park and designers Wes Gordon, Carly Cushnie, Michelle Ochs and Rebecca Minkoff.

The uniform of the day was long, lightweight, shoulder-baring dresses in white or gingham, though some women couldn't resist a pantsuit, like Maggie Gyllenhaal in pale pink trousers and a crop top, or a revealing jumpsuit, like Diane Kruger's sleek black style.  Her straw hat protected her face from the rays, but hopefully she remembered to apply some sunblock on her cut-outs.

"I’m into the off-the-shoulder right now," said jewelry designer Jennifer Fisher about the Johanna Ortiz top she found on Moda Operandi. "It's easier, you don’t end up with strange tan lines after going to an event like this and standing outside for four hours. I've smartened up." Athena Calderone had the same thought, in a voluminous white top and long bohemian skirt. "I try not to wear a lot of structured, architectural clothes in the summer," she said. "It's a lot of white gauzy feminine dresses."

The smartest sartorial move, however, was to forgo stilettos for flat sandals or wedges. "My heels have been getting stuck in the grass all day," said model Lindsay Ellingson. "I’m loving that mules are back in style because they are comfortable and there's a thicker heel." And also more conducive to stomping divots.

Freida Pinto's ceremonial ball toss throw. Photo: Dimitrios Kambouris/Getty Images
Freida Pinto's ceremonial ball toss throw. Photo: Dimitrios Kambouris/Getty Images
Pinto was dressed head-to toe in Michael Kors for the event, including a pair of chunky, strappy sandals. "I love flats, but these are comfortable," she said. Indeed, she didn't stumble as she threw the ceremonial ball toss before the start of the match.

The most exciting celebrity guest however, was a very unexpected one. Rapper 50 Cent embraced his first ever polo experience by fully dressing the part in a three-piece suit and fedora. Unlike the other A-list attendees, he charmingly chatted up the many guests who asked to take a picture with him.

See what everyone wore below.

Bruce Jenner Introduces the World to Caitlyn Jenner on Cover of 'Vanity Fair'

Bruce Jenner Introduces the World to Caitlyn Jenner on Cover of 'Vanity Fair':

Photo: Annie Leibovitz for 'Vanity Fair'
Photo: Annie Leibovitz for 'Vanity Fair'
On Monday, Bruce Jenner introduced the world to her new female identity, "Caitlyn," on the cover and in an intimate editorial in Vanity Fair, shot at her home in Malibu by Annie Leibovitz. When the issue hits newsstands on June 9, Jenner will give readers an in-depth account of what her transition has been like — including how her famous family has dealt with her sharing her secret with the world — and what gave her the courage to finally debut her true self after a lifetime of hiding.

"If I was lying on my deathbed and I had kept this secret and never ever did anything about it, I would be lying there saying, ‘You just blew your entire life,'" Jenner tells Buzz Bissinger, who authors the exclusive profile. Jenner tweeted for the first time under @Caitlyn_Jenner moments after the cover went live:

This is the second time Jenner has spoken publicly and at length about her transition, following an E! special with Diane Sawyer last month, where Jenner officially came clean about becoming a woman.

We applaud Caitlyn for her strength and bravery, and we're anxious to see the full story when it hits newsstands next week.

Altuzarra Introduces a New Signature for Resort 2016

Altuzarra Introduces a New Signature for Resort 2016:

A white pantsuit with frayed seam details from Joseph Altuzarra's resort 2016 collection.
A white pantsuit with frayed seam details from Joseph Altuzarra's resort 2016 collection.
In just seven years, Joseph Altuzarra has built a brand that many longer-running fashion houses would envy. The label already has a few well-known signatures: a high-slit skirt, most prominently, as well as Romanian peasant blouses and tailored suiting whose curved seams conjure up the name "Altuzarra" as easily as a label might.

Not content to rest on his laurels, Altuzarra last year began working with an artistic director — Thomas Lenthal, co-founder of magazines Numéro, Paradis and System — on a "whole branding effort," seen last season in buttons emblazoned with the letter "A" and on his first line of leather bags: saddle and hobo-shaped with thick rope straps, leather tassels and rectangular gold hardware. For resort, which Altuzarra presented in his studio on Monday morning, there were more bags in similar shapes — including, for the first time, a clutch — rendered in solid neutrals as well as bright leathers woven to mimic the ikat pieces in the collection. Altuzarra and team also expended a great deal of effort developing a woven leather pattern that looks like a diagonal zig-zag, but is in fact the shape of the letters A-L-T-U-Z-A-R-R-A layered on top of one another, which appeared on the pockets and above the waist of a pin-striped blazer and all over a knee-length collarless coat decorated with bright chevron stripes on the pockets.

And because Altuzarra knows how to brand a collection as well as a label, this one had a handful of identifiers all its own: the aforementioned chevron stripes, inspired my the work of "minimalist artists;" pinstripes, arranged to narrow the figure; frayed edges, running along the seams of blazers and full-length trousers; pleated skirts, done vertically and diagonally (the latter "for flatter texture and movement"), and stiletto sandals feathered in scarlet and gray ("for fun"). For Altuzarra's body-confident boardroom types, there is plenty new to choose from.